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c. 1445 – May 17, 1510. Italian painter.

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Cano, Alonso
St.Fohn the Evangelist's Vision of the Heavenly Ferusale

ID: 32905

Cano, Alonso St.Fohn the Evangelist's Vision of the Heavenly Ferusale
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Cano, Alonso St.Fohn the Evangelist's Vision of the Heavenly Ferusale


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Cano, Alonso

Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,  Related Paintings of Cano, Alonso :. | The Vision of Saint John | St John the Evangelist with the Poisoned Cup (mk05) | St James the Major (mk05) | Saint John the Evangelist-s Vision of Jerusalem | St James the Greater |
Related Artists:
Niccolo Cassana
Italian , 1659 - 1714 was an Italian painter born in Venice and active during the late-Baroque. He trained with his father, Giovanni Francesco Cassana, a Genoese painter, who had been taught the art of painting by Bernardo Strozzi. He painted a "Conspiracy of Catiline" for the Gallery at Florence. Having painted portraits of the Florentine court, and also of some of the English nobility, Nicoletto was invited to England, and introduced to Queen Anne, who sat to him for her likeness, and conferred on him many marks of favour. He died in London in 1714
Creator:Edmond Dyonnet
He was born on 25 June 1859 in Crest (Drôme), France, from the marriage of Ulysses-Alexandre Dyonnet, industrialist, and Goullioud Albine. The real family name is Guyonnet de Pivat but due to an error of births during the French Revolution, the surname became Dyonnet. Edmond died in Montreal on 7 July 1954, at age 95. He was buried with his family in the cemetery of Notre-Dame-des-Neiges, in Montreal. Edmond had two younger sisters, Emma Dyonnet, wife Lorin (1866-1947) and Clemence Dyonnet, wife Chabot (18? -1905). Ulysses, the father of Edmond, had an older brother Leon Dyonnet Goullioud who married Helen, the sister of Albine. Leon Dyonnet made a fortune in corsets for women in association with Amyot from 1886 to 1891 and set up the Dominion Corset company, rue de la Couronne in Quebec City. The couple had a daughter artist, cousin of Edmond Dyonnet: Eugenie Dyonnet, who immigrated to Canada in 1872 and died in 1875 in Montreal. Edmond Dyonnet was born in Drôme in 1859, and at 9 years old, he followed his father and migrated to Italy, he continued his primary education in Turin, from 1868 to 1873, in municipal schools and then returned to France with his family in the Drôme. He studies at Crest high school from 1873 to 1875. His father Ulysses met in Paris the brother of Judge George Baby who convinced him to emigrate to Quebec.
Amaldus Clarin Nielsen
(23 May 1838 - 10 December 1932) was a Norwegian painter. He was born in Halse as a son of shipmaster and merchant Niels Clemetsen Nielsen (1795 - 1845) and his wife Andrea Marie Møller (1802 - 1866). He grew up in Mandal in Vest-Agder county, Norway. He lived most of his childhood and adolescence without a father. He received some tuition from a traveling drawing teacher and traveled to Copenhagen to study in 1854






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